{"product_id":"cd-bummer-gun","title":"CD - Bummer Gun","description":"\u003cp data-start=\"0\" data-end=\"718\"\u003eLess than a year after her solo debut \u003cem data-start=\"38\" data-end=\"58\"\u003eChâteau Faux-Coupé\u003c\/em\u003e (2011), bassist and vocalist \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMaya Vik\u003c\/span\u003e\u003c\/span\u003e — previously known from the bands \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMontée\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eSavoy\u003c\/span\u003e\u003c\/span\u003e, and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eFuria\u003c\/span\u003e\u003c\/span\u003e — returned with her second solo album. On \u003cem data-start=\"322\" data-end=\"334\"\u003eBummer Gun\u003c\/em\u003e, she expands on the sonic universe introduced on her debut, this time with more varied instrumentation and a stronger live feel throughout the songs. The foundation, however, remains the same: insanely funky pop music with clear traces of 1980s-era \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003ePrince\u003c\/span\u003e\u003c\/span\u003e. The album includes tracks such as “On It (Kapow!)”, “Bummer Gun”, “Be For Me”, and “Sexy Face.”\u003c\/p\u003e\n\u003cp data-start=\"720\" data-end=\"1539\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eSeveral of the songs on \u003cem data-start=\"744\" data-end=\"756\"\u003eBummer Gun\u003c\/em\u003e were created in collaboration with American musician \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eMorgan Phalen\u003c\/span\u003e\u003c\/span\u003e (\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eDiamond Nights\u003c\/span\u003e\u003c\/span\u003e, \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eJustice\u003c\/span\u003e\u003c\/span\u003e), who also appears as a duet partner on “Be The One.” Other contributors include the London-based electronic duo Royalty, American hip hop producers Block Beattaz (known for work with \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eG-Side\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eStalley\u003c\/span\u003e\u003c\/span\u003e \/ \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eRick Ross\u003c\/span\u003e\u003c\/span\u003e), \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eGeorge Laks\u003c\/span\u003e\u003c\/span\u003e, Maya’s regular live musicians Marius Simonsen (drums) and Haakon-Marius Pettersen (keyboards), as well as \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eOslo Records\u003c\/span\u003e\u003c\/span\u003e’ in-house musicians and producers \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eBasmo Family\u003c\/span\u003e\u003c\/span\u003e and \u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003e\u003cspan class=\"whitespace-normal\"\u003eChris Lee\u003c\/span\u003e\u003c\/span\u003e.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMindre enn ett år etter solodebuten \u003c\/span\u003e\u003ci\u003eChâteau Faux-Coupe\u003c\/i\u003e\u003cspan\u003e (2011) er bassist og vokalist Maya Vik (med bakgrunn i bandene Montée, Savoy og Furia) tilbake med sitt andre soloalbum. På \u003c\/span\u003e\u003ci\u003eBummer Gun\u003c\/i\u003e\u003cspan\u003e bygger hun videre på lydbildet vi kjenner fra førsteskiva, denne gang med mer variert instrumentering og større live-følelse på låtene. Grunnstammen er dog den samme: sjukt funky popmusikk med klare aner til Prince anno 80-tallet. Albumet inneholder blant annet \"On It (Kapow!)\", \"Bummer Gun\", \"Be For Me\" og \"Sexy Face\".\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFlere av låtene på \u003c\/span\u003e\u003ci\u003eBummer Gun\u003c\/i\u003e\u003cspan\u003e ble laget i samarbeid med amerikanske Morgan Phalen (Diamond Nights, Justice) som også er duettpartner på \"Be The One\". Andre bidragsytere er den London-baserte elektronikaduoen Royalty, de amerikanske hip hop-produsentene Block Beattaz (G-Side, Stalley\/Rick Ross), George Laks (Lenny Kravitz' keyboardist), Mayas faste livemusikere Marius Simonsen (trommer) og Haakon-Marius Pettersen (keyboards), samt Oslo Records' in-house-musikere og -produsenter Basmo Family og Chris Lee.\u003c\/span\u003e\u003c\/p\u003e","brand":"Oslo Records","offers":[{"title":"Default Title","offer_id":47121754882219,"sku":null,"price":99.0,"currency_code":"NOK","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0523\/1312\/9131\/files\/bummergunCD.jpg?v=1779606730","url":"https:\/\/oslo-records.myshopify.com\/products\/cd-bummer-gun","provider":"Oslo Records","version":"1.0","type":"link"}